A Colour Chart for Killing: Part 2

Category

Our privileges are located on the same map as their suffering, and may – in ways we might prefer not to imagine – be linked to their suffering   (Susan Sontag). 

 

Violence and manipulation are central to the collaged image. The ‘objective violence’ in the normal state of things is made visible along with the uncomfortable truth about our relationship with others.

 

 

Glastonbury Festival’s Shangri-La Truth Stage Artwork 2017

      

 

‘Shangri-La holds a mirror up to the masses, challenging people in politics and play.

There are NO Spectators.’